One of my blog followers suggested this: The Room of Requirement from This American Life. The title reference is to Harry Potter.
Act 1 is In Praise of Limbo by Zoe Chace. “There is a library that’s on the border of Canada and the United States — literally on the border, with part of the library in each country.”
Act 2 is Book Fishing In America by Sean Cole. Imagine “a library where regular people can come and drop off their own unpublished books. Nothing is turned away. The books live there forever. It’s the kind of place that would never work in real life. But someone decided to try it.”
“Libraries aren’t just for books. They’re often spaces that transform into what you need them to be: a classroom, a cyber café, a place to find answers, a quiet spot to be alone. It’s actually kind of magical. This week, we have stories of people who roam the stacks and find unexpected things that just happen to be exactly what they required.”
Are you a librarian, or do you work in a library? Do you now or have you ever owned a “Secret Librarians of Fandom” button?
You NEED to listen to this week’s This American Life, “Room of Requirement,” or AT LEAST Act Three, “Growing Shelf Awareness” by Stephanie Foo. “Lydia Sigwarth spent a lot of time in her public library growing up – all day, almost every day, for six months straight.”
Seriously, if you work in a library and have 15 minutes spare right now, just click through and listen to Act Three.
For the First Time in More Than 20 Years, Copyrighted Works Will Enter the Public Domain
“That deluge of works includes not just ‘Stopping by Woods on a Snowy Evening,’ by Robert Frost, which appeared first in the New Republic in 1923, but hundreds of thousands of books, musical compositions, paintings, poems, photographs, and films. After January 1, any record label can issue a dubstep version of the 1923 hit ‘Yes! We Have No Bananas,’ any middle school can produce Theodore Pratt’s stage adaptation of The Picture of Dorian Gray, and any historian can publish Winston Churchill’s The World Crisis with her own extensive annotations. Any artist can create and sell a feminist response to Marcel Duchamp’s seminal Dadaist piece, The Large Glass (The Bride Stripped Bare by Her Bachelors, Even) and any filmmaker can remake Cecil B. DeMille’s original The Ten Commandments and post it on YouTube.